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Johns Hopkins University Press is giving out-of-print books new life With nearly 25-year-old Project MUSE, the JHU Press is a big player in the move to make scholarly articles available digitally. Less burdened by outsiders preconceptions of arts purpose in Soviet society.Now it's moving to increase open access.#Johns Hopkins University Press World Bank Publications The World Bank is a vital source of financial and technical assistance to developing countries around the world. and invite readers to consider the work beyond the confines of the historical narrative. Library Journal A comprehensive survey of art in Moscow in the era of the Soviet Union that champions the unquenchable spirit of artistic experimentation in the face of political repression The Power of Pictures: Early Soviet Photography, Early Soviet Film Susan Tumarkin Goodman and Jens Hoffmann Published in association with the Jewish Museum, New York Finalist for the 2015 National Jewish Book Award in the category of Visual Arts.More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions.Paintings by El Lissitzky and Liubov Popova are joined by sculptures, costumes and textiles, decorative arts, architectural models, books, magazines, films, and more.ISBN: 9780300207682HC - Paper over Board Published in association with the Jewish Museum, New York A fascinating account of the avant-garde photo-based arts from the early Soviet Union, featuring many previously unpublished images Finalist for a 2015 National Jewish Book Award in the Visual Arts category Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology.From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics.Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order.
A necessary addition to the literature on international criminal law in practice, this volume meaningfully contributes to increased knowledge of the science and art involved in international criminal investigations. Blakesley has painstakingly sifted and weighed up evidence from all available sources and has arrived at an original post-Soviet Perspective. Moreover, the book is beautifully presented and outstandingly well written. Starting with the foundation of the Imperial Academy of the Arts in 1757 and culminating with the assassination of Tsar Alexander II in 1881, it details the professionalization and wide-ranging activities of painters against a backdrop of dramatic social and political change.
Often six feet tall and always striking and bold, these stenciled posters were printed and placed daily in windows for the public to see.
They were also sent abroad to serve as international cultural "ambassadors," rallying Allied and neutral nations to the Soviet cause.
Drawn from the Art Institute of Chicago's collection, as well as other private and public holdings, these TASS posters have not been seen since World War II.
An international team of scholars presents the TASS posters both as unique historical objects and as artworks that reveal how preeminent artists of the day used unconventional technical and visual means to contribute to the war effort, marking a major chapter in the history of design and propaganda.
Susan Tumarkin Goodman is senior curator emerita and Jens Hoffmann is deputy director, exhibitions and public programs, both at the Jewish Museum.